A Pair of Hunting Scenes: Over the Ditch and A Fall at the Fence
A Pair of Hunting Scenes: Over the Ditch and A Fall at the Fence
JOHN DALBY
Fl. 1826-1853
English School
A Pair of Hunting Scenes: Over the Ditch and A Fall at the Fence
Oil on board, both signed
23.5 x 31.5 cms
9 1/4 x 12 3/8 inches
Despite the fact that Sally Mitchell says of John Dalby's work, "fine quality and exquisite finish" and Christopher Wood writes "...hunting scenes .... are of very good quality", remarkably little is known of his life.
The earliest record of him is in 1838 when he was living at 38 Stonegate, York, with Thomas Dalby where he is recorded as a painter. The Dalby family of painters can seem confusing. The oldest David Dalby, 1794-1836, who was a sporting artist and lived in York, always signed "D. Dalby"; John, who is believed to be his son, signed just "Dalby" or "J Dalby". In addition, there are believed to be at least two other painter members of the family: Thomas, and Joshua although the latter's rare output is so similar in style to John's that some believe them to be one and the same.
John Dalby's work is quite different from David's as he painted predominantly hunting scenes. His style is very tight and detailed, almost like a miniaturist. The colour is strong and the hunting scenes are full of action and show the influence of Henry Alken. Even his carriage pictures usually have attendant riders or huntsman filling the composition as well.
Bibliography:
The Dictionary of Victorian Painters - Christopher Wood
The Dictionary of British Equestrian Artists - Sally Mitchell
Dog Painting 1840-1940 - William Secord
1800 - 1899
Oil on board,
England
both signed
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![](https://www.pinterest.com/pin/create/button/?url=https://johnbennettfinepaintings.com/sporting-animals/a-pair-of-hunting-scenes-over-the-ditch-and-a-fall-at-the-fence&media=https://seek-unique-co.s3.amazonaws.com/johnbennett-r24Guyefdsuy3/stock/6217ddf32cf16_523_186128.jpg&description=JOHN DALBY Fl. 1826-1853English SchoolA Pair of Hunting Scenes: Over the Ditch and A Fall at the Fence Oil on board, both signed 23.5 x 31.5 cms9 1/4 x 12 3/8 inchesDespite the fact that Sally Mitchell says of John Dalby's work, "fine quality and exquisite finish" and Christopher Wood writes "...hunting scenes .... are of very good quality", remarkably little is known of his life.The earliest record of him is in 1838 when he was living at 38 Stonegate, York, with Thomas Dalby where he is recorded as a painter. The Dalby family of painters can seem confusing. The oldest David Dalby, 1794-1836, who was a sporting artist and lived in York, always signed "D. Dalby"; John, who is believed to be his son, signed just "Dalby" or "J Dalby". In addition, there are believed to be at least two other painter members of the family: Thomas, and Joshua although the latter's rare output is so similar in style to John's that some believe them to be one and the same.John Dalby's work is quite different from David's as he painted predominantly hunting scenes. His style is very tight and detailed, almost like a miniaturist. The colour is strong and the hunting scenes are full of action and show the influence of Henry Alken. Even his carriage pictures usually have attendant riders or huntsman filling the composition as well.Bibliography:The Dictionary of Victorian Painters - Christopher WoodThe Dictionary of British Equestrian Artists - Sally MitchellDog Painting 1840-1940 - William Secord){kind=link}